Showing posts with label pilgrims. Show all posts
Showing posts with label pilgrims. Show all posts

Palani Murugan Temple



Palani Murugan Temple is one of the most famous Murugan temples in India. It is located in the township of Palani, 100 km southeast of Coimbatore and a similar distance northwest of Madurai, and near the famous hill station, Kodaikanal.
It is one of the major Arupadaiveedu of Lord Muruga. The other Arupadiveedus are Thiruchendur Murugan Temple (100 km south-west of Madurai), Swamimalai Murugan Temple (150 km east of Madurai), Thiruthani Murugan Temple (50 km from Chennai), Pazhamudircholai (10 km north of Madurai) and Tirupparamkunram Murugan Temple (10 km south of Madurai).


As per the Hindu mythology, Sage Narada once visited the divine court of Lord Shiva at Mount Kailash. Lord Shiva was with his consort, Goddess Shakti, and their two children, Lord Ganesha and Lord Subrahmanya. Sage Narada gave Lord Shiva a fruit and told him that it was a special one, the fruit of wisdom (Jnana-Pazham).
Lord Shiva wanted his children to have the fruit of wisdom. However, when he offered it to them to be shared between the two sons, Sage Narada requested not to cut the fruit in two, lest the power be diminished. As a result, they had to decide to conduct a simple competition to decide who should get the fruit. Shiva and Shakti decided that the son who first circled the Earth would get the fruit. Immediately accepting the challenge, Lord Murugan started his journey around the globe on his divine vehicle, the peacock or mayil.
Lord Ganesha, who believed that his parents were his world, simply circumbulated Lord Shiva and Goddess Shakti and claimed the mango fruit. Lord Subrahmanya returned to Mount Kailash, only to find that Lord Ganesha had already won the contest. Lord Murugan felt he had been deceived and decided to leave Mount Kailasam. He reached to top of what is today called Pazhani malai (the Hill of Pazhani) and set up his abode there.
Goddess Shakti and Lord Shiva rushed to the hill and tried to pacify their son, calling him, Gnana Pazham Nee appa (in Tamil, "you are the fruit - Pazham; of wisdom - Gnana"). Hence this place came to be called Pazhani, or Palani.
Legend also has it that a divine siddhar named Boghar, created the idol of Dhandayuthapaani using navapashanam, an amalgam made from 9 poisonous elements which on getting mixed develops highly curative powers for many ailments of the human body, according to Sidhha Medicine practice. A small portion with a deity, dedicated to Boghar is also placed inside the temple. the adjoining walls depicts the history of the creation and other facts related to the temple.
More information from M.Dhandapani, Auditor, Dindigul, Tamilnadu, India. Even though number of festivals are celebrated in the temple throughout the year, two major festivels of Palani is "Thaipposam" and "Pankuniuthiram". Thaipoosam is the festivel celebrated on the full moon day of the Tamil Month "Thai" and Pankuniuthiram is the festivel celebrated on "Uthiram" star day. In both the festival times thousands of people from all over Tamil nadu come to the Temple by walk. Even from the places which are more than 300 Kms., distance from Palani, people come by walk with out wearing foot wears. Before starting walking yathra to Palani, the devotees must follow some practices such as fasting, avoiding wearing of foot wears, dressing with yellow or red coloured cloths, avoiding smoking, drinking of liquors and etc. On the days nearing to such festival days, we can see a very big crowds of people moving to Palani like river on Dindigul to Palani road, Sempatti to Palani road. Because of such heavy rush, the Tamil nadu Government has paved 6 feet berth road from Dindigul to Palani for the convenience of People. Many people issue on free of cost the Food, Tea, coffee,Breads, Drinking water, fruits and etc to the Devotees who are in Walking Yatra. The very famous such walking yatra group is Karaikudi group. In Karaikudi group hundreds of devotees are coming with one type of decorated wooden article called "Kavadi" on their solders. One Gold Vel (Vel is the weapon used by Lord Muruga to kill enemies)is also brought by this group. Hence the Walking yatra group devotees generally complete their Yatra when "Karaikudi Group" comes. After the Karaikudi group the rush will fall suddenly. Lord Palani Murugan called in other names such as Dhandapani, Dhandayudhapani, Subramaniaswamy, Palaniappan and etc., is very powerful God. If we pray for anything along with Lord Palni Muruga, he must comple it. Hence we are all try to visit Palani even once in our life in order to get his blessings.

Valluvar Kottam Chennai



Valluvar Kottam, located at the intersection of the Kodambakkam High road and the Village road, is one of the modern landmarks of Chennai, India.
It is important to note that Valluvar Kottam now stands in the point which was the deepest point of a lake which was located in the area. Notice how all the roads around the area are associated with tank. It was referred to as the Mylapore Long tank .
The monument was constructed in 1976 in the memory of Thiruvalluvar, the classical Tamil poet and saint who wrote his famous Thirukkurals about 2,000 years before. All the 133 chapters of the Thirukkural which include 1330 verses are inscribed on bas-relief in the front hall corridors.
The construction of Valluvar Kottam is like a temple chariot, and it is a replica of the temple chariot in Thiruvarur. A life-size statue of the Thiruvalluvar stands atop the 39 metre high chariot. The auditorium of Valluvar Kottam can accommodate around 4,000 people.
The architect of the memorial is South Indian traditional architect Dr. V. Ganapati Sthapati.
It consists of many temples.

Chidambaram Nataraja Temple


Chidambaram, the heart of the universe (chit-heart, ambaram-universe), is where Shiva, manifesting as Nataraja, one of the trinity of Hindu deities, performs the cosmic dance. It is also the heart of a world that is a manifestation of purusha, the eternal, cosmic man. As you approach the Nataraja temple in this quaint town of Tamil Nadu, 250 km south of Chennai in southern India, you are taken aback by four gigantic towers (135 ft) with seven storeys that guard it on four sides. The architecture inside is no less fascinating. Rows after rows of pillars with intricate carvings, surrounded by 10 sacred pools, seem to create an ambiance of space—vast, limitless. You are drawn in, deeper and deeper, until you stand at the center of the universe, facing Nataraja, the creator, the destroyer, the keeper. The shrine is spread over an area of 51 acres and houses a rare crystal lingam. There is also a Ratnasabhapati Nataraja made of gems, rubies, emerald and stone. The main shrine or the Chitrambalam (also known as Chit Sabha) is the place where Nataraja dances the tandava of creation, destruction, grace, dissolution and blessing.
According to mythology, Shiva first performed Ananda Tandava (the dance of bliss), to enlighten some sages who had been so immersed in their scholasticism that they had forgotten the existence of God. This Ananda Tandava was later revealed at the Jnana Sabha, one of the shrines of Chidambaram. Myth has it that, at a particular time every year, Shiva still performs the dance here. At first glance, the statue of Nataraja is like any other classic piece of art—graceful and eye-catching. The beauty begins to unfold, layer by layer, as the magnificence of creation and the wonder of destruction are understood. Nataraja symbolizes the ultimate reality that is eternally molding this world of maya or illusion, creating myriad nebulae with the beat of a drum and destroying a mega-universe with a graceful turn of the finger. The dance of Shiva is the dancing universe, the ceaseless flow of energy that mingles and meanders into the infinite cosmic soul. It is the dance of sub-atomic particles—the building blocks of creation. Here, the Ardhanarishwar Shiva, symbolized by a male earring in the left and a female earring in the right ear, blends the yin and the yang and transcends them.
This transcendence is mirrored in the ultimate balance of Nataraja. As the upper right hand, holding a drum, strikes the primal sound, nebulae after nebulae shoot out from the dancing form, stars are born and shaped, and the first seeds of life germinate in the cosmic cradle, waiting to bloom. The right lower hand showers blessings on the blossoming creation, asking it to arise and understand its purpose. With knowledge comes truth and Nataraja crushes Mulayaka, ignorance manifest, with his right foot—his left lower hand pointing at his raised left foot, defying the law of gravity, symbolic of liberation, moksha. With life, death can't be far behind. The awakening is now symbolized by a deluge of fire leaping out from his left upper hand, devouring the trembling cosmos with licking tongues of flame. One by one stars die, burning suns extinguish their lights. In the eternal darkness, Shiva unties his matted hair and dances the tandava, trampling upon the entire universe—a raging, raving force demolishing existence. Destruction was never so beautiful.
In the final silence, when there is neither existence nor non-existence, enlightenment dawns. Free at last from the fetters of delusion, Nataraja dances the Ananda Tandava, the ultimate dance of joy. The primal sound of the drum echoes again, a tiny spark bursts into a star. Another universe is born. The cycle repeats itself. And Nataraja, blissful in the ecstasy of existence, dances to eternity.

Velankanni Church


A small hamlet in Tamil Nadu, Velankanni is a popular pilgrim center, especially renowned for the Church of Mother Mary. As a great number of pilgrims turn up here, like Lourdes in France, Velankanni is nicknamed as Lourdes of the East. Velankanni is also famous for its delicate handlooms and silk.And it located at the Placed on the sandy shore of the Bay of Bengal, Velankanni is 350 km far from Chennai and 12 km south of Nagapattinam.
According to popular legend, Mother Mary appeared with Infant Jesus in Velankanni at the end of the 16th or early 17th century. Since then, for all pilgrims of the world, Velankanni has been the most important destination and almost the synthesis of all Marian Sanctuaries. Thus, the Pope in the Vatican City has declared Velankanni as a Holy City.
The shrine here is dedicated to Our Lady of Health, the Madonna of Velankanni, and is well-known as Sacred Arogya Matha Church. Fully consecrated to Virgin Mary and the Heavenly Mother, this church has an extended Basilica. There is also a shrine of Our Lady of Sorrow, where the sorrowing Mother is portrayed carrying Infant Jesus in her arms.
Church Museum: Situated opposite the Basilica, this museum has diverse exhibits, with biblical incidents depicted on both sidewalls. Also, the precious offerings made by the devotees are displayed as well. Places around Velankanni Explore the land of Velankanni, visiting the places around it, while on a Tour to Velankanni – Nagapattinam: One of the popular harbors of India, Nagapattinam on the Coromandel Coast is home to the Shri Kayahorana Swami Neelayathatchi Amman Temple, Sowriraja Perumal Temple, and Nellukkadai Mariamman Temple. Other places worth a visit here are the mini museum, the lofty lighthouse and the sprawling golden beach.
Arokkaiyamatha festival: Commencing on 29th of August, this 10-day grand festival commemorating the Feast of Our Lady is celebrated at the Velankanni Church. Pilgrims from different parts of India and even abroad throng to the site, bathe religiously in the sea, and tonsuring their heads walk on their knees or roll up to the shrine as rituals.

Rock Fort Temple


As the name suggests, the Rock Fort Temple is situated on 83m high outcrops. The Pallavas initially built this temple, but the Nayaks made use of its naturally fortified position and designed it again. It is a stiff climb, up the 437 steps cut into the stone to the top. The Rock Fort Temple complex in Tiruchirappalli is a collection of three temples, the Manikka Vinayakar temple at the foot of the hill, the Uchhi Pillayar Koyil at the top of the hill and the Taayumaanavar Koyil Shivastalam on the hill. Shivastalam is a rock cut temple on a hill and the most prominent landmark in Tiruchirappalli, reached by a flight of steps on the way to the famous Ucchi Pillayar temple.There is a rock cut Pallava temple called Lalitankura Pallaveswaram in this hill temple complex, with several inscriptions here attributed to Mahendravarma Pallavan. In addition the Cholas, the Vijayanagar rulers and the Nayaks of Madurai have made extensive contributions here. The two storeyed Taayumaanava temples, built on a hill is a masterpiece of construction. Six worship services are offered each day here. This well endowed temple celebrates the annual Brahmotsavam in Chithirai. Aadi Pooram and the float festival in Panguni are also of significance here. Built by the Nayaks of Madurai, it holds two temples dedicated to Shiva and Ganesha.This rock also contains excavated cave temples dating to the 7th century A.D, famous for the fine sculptures.

Perur Patteeswaraswamy Temple


The city of Coimbatore is situated in the western part of the state of Tamil Nadu in the southern part of India. The city of Coimbatore is popularly known as the Manchester of South India. The city of Coimbatore covers an area of 105.5 square kilometers and the city is the district headquarters as well. Coimbatore is well known for its textile industries and the city has outstanding potential for industrial growth. The city of Coimbatore lies in close proximity to the hills of the Western Ghats. This is the reason why the city of Coimbatore enjoys a healthy climate throughout the year.
About Perur Patteeswaraswamy Temple the Perur Patteeswaraswamy Temple is located in the city of Coimbatore in the state of Tamil Nadu in the southern part of India. The Perur Patteeswaraswamy Temple was built by Karikala Cholan. The Perur Patteeswaraswamy Temple remains in a state of colorful best during the month of March. In the month of March, the ‘Panguni Uthiram’ is celebrated ceremoniously. The presiding god of the Perur Patteeswaraswamy Temple in Coimbatore is Lord Shiva. In this temple, Lord Shiva is known as ‘Patteeswarar’ and his consort Parvathi is known as ‘Panchanayaki’. There are huge statues in the temple.On the walls of the Perur Patteeswaraswamy Temple there are innumerable sculptures called ‘Kanagasabai’. These sculptures clearly reflect the distinction of the sculptors of that time. The famous statues of Gajasamhara, Virabadra, Bikshadana, Oordhva Thandava, and the Saraswathi with Veena, can all challenge one another in artistic perfection. The Perur Patteeswaraswamy Temple, Coimbatore is located at a distance of 7 kilometers from Coimbatore. The temple is situated on the banks of River Noyyal. The Perur Patteeswaraswamy Temple is kept open from 5 o’clock in the morning to 12 p.m. and again from 3 p.m. to 8 o’clock in the evening.

Vivekananda Rock


Vivekananda Rock Memorial is built on the legendary Vivekanad Rock that juts out of the convergence of the Indian Ocean, the Arabian Sea and the Bay of Bengal. About 400 mts offshore the two rocky islands became the seat of enlightenment for Swami Vivekanand, an Indian philosopher and social reformer. It is believed that in the year 1892, Swami Vivekanand swam across the sea and meditated on this isolated rock island, imparting the spiritual charisma to him.Kanyakumari is famous all across the world for Vivekanand rock that houses a memorial dedicated to Swami Vivekanand. The memorial has two structures in its precincts - Vivekananda Mandapam and Sripada Mandapam on two rocks facing each other. The smaller rock called 'Sripada Parai' is revered as a sacred spot where Goddess Kanya Kumari did meditation. The rock has an impression of a human footprint, which is revered to be that of Goddess Kanya Kumari.Vivekananda Mandapam is thronged by tourists from across the world and all those who seek mystical enlightenment come to meditate here. It has a Meditation Hall called Dhyan Mandapam where one can meditate in peace. In the Assembly Hall or Sabha Mandapam there is a statue of Swami Vivekanand. The design of mandapam has different styles of temple architectures of India, instilling a complete Indian essence within itself.

Brihadeswara Temple


The Brihadeswara temple is one of the most ancient and the most celebrated Hindu temple in the world. The temple is located in the city of Thanjavur that is also known as Tanjore, in the Indian province of Tamilnadu. The UNESCO has adjudged this thousand years old temple a "World Heritage Site".Brihadeswara is the most illustrious and a brilliant example of the Dravidian style temple architecture. The building that carries the main sanctum is known as the 'Periya Kovil'. This stands amidst fortified walls that were probably added in the 16th century. The 'Vimana' of the temple is about 70 meters and is among the tallest of its kind in the world. The 'Shikharam' (crown) of Brihadeswara temple is itself very large and heavy (81.25 tons) and has been carved out of a single stone. The great Tamil ruler, Rajaraja Chola I of the Chola dynasty, built the Brihadeswara temple. Later various additions were made in the temple but the most prominent one among these was the addition of a copper pot over the tower by King Rajaraja Chola II. The main deity that is worshiped in this temple is Lord Shiva. He is worshipped in the form of Lingam. This was originally called Adavallan that meant an expert dancer. The same name occurs in Thiruvisaipa as the name of the deity at Chidambaram. The tower over the shrine is named Dakshina Meru after the abode of Lord Shiva at Kailash that is also called Meru Mountain in Hindu scriptures.Another remarkable feature of the temple is the great Nandi (stone bull) that is established at the entrance of the temple as well as ceiling of its enclosure that is decorated with frescoes in the typical Thanjavur style of painting. The Nandi weighs 27 tons and is probably the largest of its kind in the world.

Mahabalipuram Rathas


Mahabalipuram is a temple town that is situated along the Coromandel Coast 55 kilometers off Chennai, the capital of Tamilnadu. The place is famous for its Ratha temples that are a part of the famous shore temple complex. The Pallava king Narsimha built the magnificent 'Ratha' cave temples of Mahabalipuram. The beauty of the sculptural art of the rock-cut temples tells about the architectural contribution of the erstwhile Pallava rulers. These 7th century temples are regarded the pioneer of an entirely revolutionary style of architecture that came to be known as Dravidian architecture style. These 'Ratha' temples of Mahabalipuram are commonly called the Pancha Pandava Ratha. These temples are considered pioneer of the Dravidian monolith era and mark the point of transition between the earlier tradition of rock-carved temples and the later tradition of freestanding stone structures. There are actually eight Rathas at Mahabalipuram out of which five are named after the five Pandavas of Mahabharata and one after Draupadi. The five rathas that can be seen are Dharmaraja Ratha, Bhima Ratha, Arjuna Ratha, Draupadi Ratha and Nakul Sahadev Ratha. The interesting features among all these Ratha temples are the fact that all of them are monolith and are based on the Buddhist Viharas and Chaityas. The largest and the smallest among them are three-storied Dharmaraja Ratha and one-storied Draupadi Ratha respectively. The magnificent way in which these Monolithic Cave Temples were excavated by scooping out the scarp of the hill from front to back is a real treat for the eyes.Apart from the famous Rathas, there are other magnificent temples in Mahabalipuram too. These temples are renowned for their Mandapas (cave sanctuaries). A Mandapa is an open pavilion or a hall with cells in the back wall and is cut out of a single piece of rock. The giant open-air relief such as the famous 'Descent of the Ganges' and the temple of Rivage, with thousands of sculptures to the glory of Shiva, are the most attractive. Both of these temples attract a lot of crowd every year.

Kailasanath Temple


Kanchipuram is a pilgrimage city. A former Pallava capital (7th - 9th century), Kanchipuram is filled with temples dating from the 8th - 17th centuries. These temples are the perfect study of the evolutionary changes that the South Indian architecture underwent while different reigns made their impressions on them. Among the oldest temples in the temple city of Kanchipuram is Kailasanath Temple, dedicated to Lord Shiva. King Rajasimha, of the Pallava dynasty, built this Shiva temple in the early 8th century. An epitome of an early structural temple, Kailasanath Temple reflects the rapidly emerging South Indian style: gopuras, pilastered walls, a pyramidal shikhara, and a perimeter wall enclosing the complex. Constructed mostly of limestone, the walls and vimaanam of this temple are filled with great sculptures, and paintings. There are 58 small shrines situated around the main shrine. Paintings of Fresco-style adorn the inner walls of the shrines. It has an attractive panel depicting Shiva and Parvathi in the midst of one of their innumerable dance competitions.It is the only temple at Kanchipuram, which is devoid of any of the recent additions of the Cholas and Vijayanagar rulers. It is believed that the temple also served as the king's shelter during wars and the remains of an escape tunnel in the temple's precincts attests to that fact.On the auspicious day of Maha-Sivaraathri, thousands of ardent devotees converge to the temple. The temple is far removed from the city and thus quite peaceful. Under the maintenance of the Department of Archeology, Government of India, tourists are allowed to freely photograph the sculptures in and outside the temple, with the exception of the Sanctum and the main Deity.

Madhurai Meenakshi Amman Temple




Meenakshi Sundareswarar Temple or Meenakshi Amman Temple' is a historic Hindu temple located in the holy city of Madurai, Tamil Nadu, India. It is dedicated to Lord Shiva (in the form of Sundareswarar or Beautiful Lord) and his consort, Goddess Parvati (in the form of Meenakshi). The temple forms the heart and lifeline of the 2500 year old city of Madurai. This temple has a stunning architecture and a significant testimony for Vishwakarma Brahmins for their master architecture in sculpting this temple. The complex houses 14 magnificent Gopurams or towers including two golden Gopurams for the main deities, that are elaborately sculptured and painted. The temple is a significant symbol for the Tamil people, and has been mentioned since antiquity in Tamil literature, though the present structure is believed to have been built only recently in the early 17th century. The temple was a frontrunner in the election for the modern seven wonders of the world for its architectural importance.In 2009, the temple was selected one of the Seven Wonders of India by ndtv.
HISTORY:
According to Hindu legend, Shiva came down to earth in the form of Sundareswarar to marry Meenakshi, an incarnation of [Parvati]. Parvati had earlier descended to earth in the form of a small child in response to the great penance of Malayadwaja Pandya, the ruler of Madurai. After growing up to adulthood, she began ruling the city. The Lord appeared on earth and proposed to her. The marriage was supposed to be the biggest event on earth, with the whole earth gathering near Madurai. Vishnu, the brother of Meenakshi, was traveling to preside over the marriage from his holy abode at Vaikuntam. Due to a divine play, he was tricked by god [Indra] and delayed on the way. Meanwhile, the marriage was presided over by a local god [Koodal Azhaghar]. This is celebrated anually as 'Chitirai Thiruvizha' in Madurai. During the period of Nayakar rule in Madurai,in order to link the 'Azhakar Thiruvizha' and the 'Chitirai Thiruvizha' a story was added that Vishnu was angered and swore he'd never cross 'Vaigai' Later he was pacified by the other lords. Hence born the 'Azhaghar Thiruvizha'.
In modern history the original structure is not properly known, but Tamil literature speaks about the temple for the last couple of millennia. [Thirugnanasambandar], the famous Hindu saint of [Shaiva] philosophy, has mentioned this temple as early as the 7th century, and describes the Lord as Aalavai Iraivan. The temple was believed to have been sacked by the infamous Muslim invader Malik Kafur in 1310and all the ancient elements were destroyed. The initiative to rebuild the structure was taken by [Arya Natha Mudaliyar] , the Prime Minister of the first Nayak of Madurai (1559-1600 A.D.), the founder of 'Poligar System'. Then came the most valuable contributions of Thirumalai Nayak circa 1623 to 1659. He took considerable interest in erecting the Vasantha Mandapa of the temple complex.
TEMPLE STRUCTURE:
The temple is the geographic and ritual center of the ancient city of Madurai. The temple walls, streets and finally the city walls (ancient) were built around the temple in concentric squares. Ancient Tamil classics mention that the temple was the center of the city and the streets happened to be radiating out like the lotus and its petals. It is one of the few temples in Tamil Nadu to have four entrances facing four directions.The complex is in around 45 acres (180,000 m2) and the temple is a massive structure measuring 254 by 237 meters. The temple is surrounded by 12 towers, the tallest of which, the famous Southern tower, rises to over 170 ft (52 m) high.
Thousand Pillar Hall:
Thousand Pillar hall of Madurai Meenakshi Amman temple was built with the oldest Nellaiappar Temple, Tirunleveli as a model.The Aayiram Kaal Mandapam or Thousand Pillar Hall contains 985 (instead of 1000) carved pillars. It is considered culturally important and is maintained by the Archaeological Survey of India. The Thousand Pillared Hall was built by Ariyanatha Mudaliar in 1569. He was the Prime Minister and General of Viswanatha Nayak of the first Nayaka of Madurai (1559-1600 A.D.). He was also the founder of Poligar System, the quasi-feudal organization of the country, which was divided into multiple palayams or small provinces and each palayam was ruled by a palayakkarar or a petty chief. At the entrance of the Mandapam, we can still see his statue; the majestic pose of Ariyanatha Mudaliar seated on a beautiful horse-back which flanks one side of the entrance to the temple. The statue is still periodically crowned with garlands by modern worshippers. Each pillar is carved and is a monument of the Dravidian sculpture. There is a Temple Art Museum in the hall where icons, photographs, drawings, and other exhibits of the 1200 years old history are displayed. Just outside this mandapam, towards the west, are the Musical Pillars. Each pillar, when struck, produces a different musical note. The kalyana mandapa, to the south of the pillared hall, is where the marriage of Shiva and Parvati is celebrated every year during the Chithirai Festival in mid-April.
FESTIVALS:
The most important festival associated with the temple is the Meenakshi Thirukalyanam (The divine marriage of Meenkashi) that is celebrated in April every year. During that one month period, in which most Tamil Nadu temples celebrate their annual festivals, there are a number of events including the Ther Thiruvizhah (Chariot festival) and Theppa Thiruvizhah (Float festival) are celebrated. Apart from this, major Hindu festivals like Navrathri, Shivrathri are celebrated in a grand manner. Like most Shakti temples in Tamil Nadu, the Fridays during the Tamil months of Aadi (July 15 - Aug 17) and Thai (Jan 15 to Feb 15) are popularly celebrated with thousands of devotees thronging to the temple.